Tamron
Blue Earth
Glazer's Camera
Beth Luce

Beth Luce

Beth Luce is a Seattle-based freelance writer.

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Art Wolfe: Art Imitates Art Unpublished

07 May 2003 Published in Landscape Photography

Wildlife photographer Art Wolfe goes back to his artistic roots with a new book on landscapes.

Art Wolfe is adamant about two things: The environment should be high on everyone's priority list, and what he does with a camera is art - not accident. These two compatible ideas form the structure of Wolfe's upcoming book on some of the most remote and beautiful landscapes on the planet.

The book, "Edge of the Earth, Corner of the Sky" - which takes its name from an ancient Greek phrase coined when the world was thought to be flat - was meticulously shot in desert, forest, mountain, ocean and polar sites over nine years, its photos precisely paired according to color, subject, texture and format...

IN THE LOUPE: Art Wolfe Unpublished

04 May 2003 Published in In the Loupe

Galleries at REI stores: Seattle - 222 Yale Avenue North, 206-223-1944; Federal Way, Wash. - 2565 South Gateway Center Place, 253-941-4994; Denver - 1416 Platte Street, 720-855-7887.

Favorite gear: "Canon is the only 35mm I use," Wolfe says, "which was really very appropriate for most of this work because I was dealing in ephemeral moments." He also uses a Pentax 6x7, a Fuji 6x17 panoramic, a Hasselblad panoramic and a couple of Mamiyas. "I almost exclusively use tripods because I like to deliver a very tack-sharp image."

IN THE LOUPE: Gerald Bybee Unpublished

05 October 2002 Published in In the Loupe

Home: Sebastopol, Calif.

Photographic equipment: A 6-megapixel Kodak 760 — based on a 35mm Nikon body — that replaced his Kodak 560. "I just purchased a Kodak 645 Pro Back and Mamiya 645 system that is taking the place of my medium format film cameras," Bybee says. "I have a drum scanner — and have had for a long time — for film. Most of my files are on film, but in the last couple of years I've switched over to do as much as I can digitally. I'm trying to go 100 percent digital capture now."

Advice for aspiring studio shooters: "Follow your passion and instincts," he says. "Work harder than your competition if you have to. Be a constant observer of light. Your ability to see and record light will ultimately set you apart and define your style."

Website: bybee.com

Gerald Bybee: Digital Shape-Shifter Unpublished

05 October 2002 Published in Studio Photography

Gerald Bybee continues to shake up the studio world with his beautiful and eerie images.

Like photo-cubism, the genre he invented, Gerald Bybee has many facets. He's not totally visible from any one side. A glimpse of his self-portrait below reveals one aspect, but then the image shifts. He seems not totally in one space, not completely in another.Or maybe he is, and it's your own perspective that's skewed.

Consider some facts about Bybee: He has a client list to die for. Ad agencies and magazines count on him for images that are odd, yet realistic, and sometimes shocking. He's a burgeoning artist. He's the kind of guy who works all night to meet a deadline, meticulously piecing together images. He's a family man who appreciates...

OUR 2002 HONOREE Unpublished

27 April 2002 Published in Sidebars

Each year, PhotoMedia recognizes a person in the photography industry who has best demonstrated exceptional artistic and business accomplishments, photographic passion, devotion to the industry, inspiration to colleagues and humanitarian achievements in the community.

By devoting most of his career to warning the public about the consequences of global warming, Oregon-based wildlife and nature photographer Gary Braasch is trying not to change the world, but to help save it from changing too much.

Gary Braasch: A Change in the Weather Unpublished

27 April 2002 Published in Person of the Year

By devoting most of his career to warning the public about the consequences of global warming, Oregon-based wildlife and nature photographer Gary Braasch is trying not to change the world, but to help save it from changing too much.

One miserably cold day in late March, the evening news carried a chilling science story. In Antarctica — where apparently it wasn't quite cold enough — a 1,200-square-mile chunk of the Larsen ice shelf had shattered into 720 billion tons of crushed ice. The formerly Rhode-Island-sized ice shelf, which had taken only a month to break apart and fall into the ocean, had been frozen to Antarctica's jutting Palmer Peninsula for 12,000 years. An average temperature rise of...

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