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Sony Releases DSLR-A700

03 October 2007
Published in Digital Cameras

Sony has unveiled its next installment for its Alpha digital SLR system. The newly released DSLR-A700 digital camera features advanced imaging technology, ultra-responsive operation, dust and moisture resistance, and Super SteadyShot Inside image stabilization. The camera has a 12.2-megapixel Exmor CMOS sensor that performs analog-to-digital signal conversion and dual noise reduction. The lightweight, magnesium alloy camera is compatible with most Minolta Maxxum mount lenses and Sony lenses.

The camera boasts a new autofocus system with a total of 11 wide-area sensors and has a shutter speed of 1/8,000 second due to its high-performance vertical traverse shutter. The user can take advantage of the camera's continuous shooting abilities...

Nikon Unveils 12.1-Megapixel D3

02 October 2007
Published in Digital Cameras

Nikon has announced the release of the D3 Digital SLR camera, making its debut eight years after the original D1 first surfaced. The D3 camera boasts 12.1 effective megapixels and a new FX-format CMOS sensor, which measures 23.9 x 36mm, closely mirroring the 35mm film size. The camera features a startup time of 0.12 second, the shortest viewfinder blackout time in the series, and a shutter lag time of just 37 milliseconds, with the capability of shooting up to nine frames per second at full FX-format resolution.

The D3 comes equipped with tonal range and depth and low noise throughout its normal range of ISO 200 to 6400. If set at its built-in options of Lo-1 or Hi-2, the ISO range can be stretched...

Canon Debuts EOS-1DS Mark III Digital SLR

01 October 2007
Published in Digital Cameras

Canon has introduced the new 21.1-megapixel, ultra-high-resolution EOS-1Ds Mark III SLR. Designed with a ultra-low-noise CMOS sensor, the camera is fast and responsive, with a new ultra-wide-angle 14mm lens that fits perfectly with the full frame sensor. The compact camera has an alloy body, making it light in weight, versatile, and ideal for studio and field work.

For professional photographers, the five-frame-per-second shooting rate allows for a maximum of either 56 large/fine, 21-megapixel JPEGs or 12 RAW images, capturing fluid motion and free-flowing lines...

Peter Menzel: Food for Thought

16 September 2007
Published in Photojournalism

A Napa Valley photojournalist points out the world's inequalities through his lens.

Photojournalist Peter Menzel is passionate about what he views as the sorry state of American life, from "red-state" politics and war to junk food-based diets.

But he doesn't just gripe about it. He's successfully published five photography-based books, including "Material World: A Global Family Portrait" and "Hungry Planet: What the World Eats," to raise awareness of these issues...

iView, Extensis, Adobe Release New Photo Editing Software

14 September 2007
Published in Electronic Market

It should come as no surprise to digital photographers that, within 48 hours of Apple’s October 2005 Aperture debut, iView Multimedia and Extensis both announced new versions of their own products. Adobe also released new photo software in January.

iView Media Pro Version 3 has some great new features, including a lightbox, better workflow tools and an improved user interface. The Pro Lightbox lets you compare up to four images side by side in a full-screen view, including the histograms, labels and rating for each image...

Photo Evolution: Notes From A Journal

14 September 2007
Published in Electronic Market

A look back at photography's huge technological strides in the last 20 years.

May 1989: Seattle – So I’m here in Seattle on my first trip to the Pacific Northwest and wow, is this a beautiful area! If I ever get tired of L.A., this might be a place to check out. Flying in over Mount Rainier was a treat, but by the time I got my Honeywell Pentax Spotmatic II out, added my SMC Takumar 55mm lens and loaded a roll of Ektachrome 100, we were getting ready to land. I’ll have to plan better and hope I get a window seat on the way home.

After my trip, I did a little slide show for some of the people in my office. I heard several comments that if I ever get tired of programming IBM mainframes, I could become a professional photographer. I’ve got a couple of images that I’m going to print as large Cibachromes and enter them in some contests…

Bridges Project Adds South African Classroom

09 September 2007
Published in Industry News

Seattle photographer Phil Borges, has widened the horizons of his Bridges to Understanding program to South Africa. Founded by Borges, Bridges to Understanding is a nonprofit group that encourages children to learn about the world through photography and visual storytelling.

The Amy Biehl Foundation, located in the Khayelitsha Township, near Cape Town, South Africa, is the newest member of the Bridges to Understanding worldwide network of classrooms. As part of the month-long festivities to celebrate...

Help Sought for Media Covering 9/11

08 September 2007
Published in Industry News

An official with The New York Press Photographers Association (NYPPA) has asked members of the media who have experienced health problems since covering the Sept. 11, 2001, terrorist attacks to contact NYPPA.

In a memo sent to all members this summer, David Handschuh, chair of NYPPA's Intergovernmental Affairs committee and photographer for The New York Daily News, said he wants to determine how many media professionals suffered health problems after the attacks. So far, he said, more than a dozen 9/11 media workers had...

ASMP Gets Library of Congress Grant

07 September 2007
Published in Industry News

The American Society of Media Photographers (ASMP) was recently awarded with funding from the Library of Congress to promote digital photo standards based on the Universal Photographic Digital Imaging Guidelines (UPDIG).

The three-year project will include the development of new educational resources that use web-based awareness campaigns for the UPDIG guidelines. The award was given, however, with the stipulation that the ASMP cannot use the funds for any ongoing operations, including the UPDIG.

As part of the Library of Congress' Preserving Creative America initiative, eight partnerships projects...

AP State Photo Center Closes

06 September 2007
Published in Industry News

On Oct. 1, the State Photo Center (SPC) closed its doors in Washington, D.C. Overseen by Associated Press national photo editor Victor Vaughan, the SPC will no longer traffic images from freelancers and member news agencies.

The SPC lasted 10 years and was first put together as a consolidation of regional photo desks in Atlanta, Chicago and Los Angeles. The SPC offices in the nation's capital have been merged with AP's Manhattan office.

The 16 workers at SPC in Washington were given the choice of moving...

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